I discovered it while choosing works for my recent Luminism article on DailyArt Magazine, and I can't get it out of my head. It seems to depict an otherworldly fairyland... but it actually depicts a casino town on the New Jersey shore.
The Rubin Museum of Art in New York City is all about Himalayan art - works from Tibet, Nepal, India, China, and the surrounding areas. It's a really unique and interesting place, where I learned about religion and symbolism that's very different from what I'm used to.
This time last year, I wrote an article for DailyArt Magazine about Thomas Gainsborough's portraits of his daughters. I was really excited when I found out that most of those paintings are currently on display in Gainsborough's Family Album at the Princeton University Art Museum. I rushed over to see them, and I'm so glad that I did!
In his Cézanne: A Life, Alex Danchev claims that admirers of Cézanne's work can't really explain why they like it. Since I love a good challenge, I've done my best to prove him wrong. He are my thoughts about Cézanne.
After last week's fire at Notre-Dame de Paris, I spent two days scouring the newspapers for the latest news about the church's fate. What resulted is probably the longest article I've written for DailyArt Magazine. Read it via the link below.
As I'm sure all of you know by now, the Gothic cathedral of Notre-Dame de Paris caught on fire yesterday and suffered extensive damage. Yesterday's events made me appreciate what a true miracle it is that any ancient treasures survive at all. But just because they've gotten this far doesn't mean that they will always be around.
Majoring in art history is a very rewarding experience, but it can definitely be stressful at exam time. Here is my advice about what to expect and how to prepare for art history exams.
While at the Metropolitan Museum of Art a few weeks ago, a small religious diptych from 18th-century Ethiopia caught my eye. The Ethiopians have one of the oldest Christian traditions in the world. They have also produced many wonderful icons.
The World Between Two Empires shows art and artifacts made in the Middle East between about 100 BCE and 250 CE. It recently opened at the Metropolitan Museum of Art, but I got to see it during preview days. I really enjoyed seeing beauty and culture that I didn't know much about before.
Last week, I attended the New York Antiquarian Book Fair and enjoyed taking a close look at the medieval illuminated manuscripts offered for sale there. This opportunity reminded me how manuscripts' greatest qualities are best enjoyed in person.