Here's my guide to understanding all the controversy surrounding the recent decision to turn Hagia Sophia back into a mosque.
It has been exactly one year since the horrible fire that almost destroyed the cathedral of Notre-Dame de Paris. My article for DailyArt Magazine aims to be a balanced assessment of Notre-Dame's current status and also my celebration that the cathedral still stands on the first anniversary of its near destruction.
Here is a brief selection of knights in artwork from the 11th to 19th centuries. It is so interested to notice how images of medeival knights have changed over that time period.
After visiting the Met Cloisters most recently in July 2018, I wrote about the Unicorn Tapestries and some of the Cloisters' other great medieval treasures for DailyArt Magazine. Read them all through these links.
I got a lot of confused questions yesterday while unboxing my deluxe The Book of Kells by Bernard Meehan. I thought that everybody was familiar with the Book of Kells, but I see that's not true, so let me explain what the Book of Kells is and why it's so special.
After last week's fire at Notre-Dame de Paris, I spent two days scouring the newspapers for the latest news about the church's fate. What resulted is probably the longest article I've written for DailyArt Magazine. Read it via the link below.
As I'm sure all of you know by now, the Gothic cathedral of Notre-Dame de Paris caught on fire yesterday and suffered extensive damage. Yesterday's events made me appreciate what a true miracle it is that any ancient treasures survive at all. But just because they've gotten this far doesn't mean that they will always be around.
Last week, I attended the New York Antiquarian Book Fair and enjoyed taking a close look at the medieval illuminated manuscripts offered for sale there. This opportunity reminded me how manuscripts' greatest qualities are best enjoyed in person.
I just finished reading Thomas Hoving's King of the Confessors, which is about Hoving's adventures in acquiring what's now called The Cloisters Cross. Thanks to him, this English Romanesque carved ivory cross is one of the highlights of the Met Cloisters. The story is wild, and I couldn't put it down.
For the past few months, I've been working with Citaliarestauro.com, a Portuguese e-learning company specializing in art history, to create an online course about the history of Gothic architecture. I'm so excited to announce that it is now available for purchase!