Here is a brief selection of knights in artwork from the 11th to 19th centuries. It is so interested to notice how images of medeival knights have changed over that time period.
I fell in love with the works of Italian Baroque still life painter Giovanna Garzoni when I saw a press release for an art challenge she inspired. Read all about her and delayed events relating to her in my article for DailyArt Magazine. Bonus: read my past article about the organization responsible for promoting her legacy.
Read my new article for DailyArt Magazine about the exciting announcement of a "David and Goliath" painting recently re-attributed to Artemisia Gentileschi.
I visited Cézanne: The Rock and Quarry Paintings, a delightful new show at the Princeton University Art Museum, on its opening day. The museum is currently closed, but you can read my review for DailyArt Magazine to find out why I liked it so much.
The Hyde Collection is a world-class art collection in the unassuming Adirondack town of Glens Falls, New York. It really was the most delightful little surprise, and I had a wonderful visit.
In Praise of Painting: Dutch Masterpieces at the Met is an ongoing exhibition of the Metropolitan Museum of Art's paintings from the Dutch Golden Age. It provided the chance to view the works up close at my leisure, which gave me a new appreciation for this type of artwork.
This time last year, I wrote an article for DailyArt Magazine about Thomas Gainsborough's portraits of his daughters. I was really excited when I found out that most of those paintings are currently on display in Gainsborough's Family Album at the Princeton University Art Museum. I rushed over to see them, and I'm so glad that I did!
In his Cézanne: A Life, Alex Danchev claims that admirers of Cézanne's work can't really explain why they like it. Since I love a good challenge, I've done my best to prove him wrong. He are my thoughts about Cézanne.
Anne Vallayer-Coster (1744-1818) was an 18th-century French artist who specialized in still life painting. She was so good at it that she became official painter to Marie-Antoinette.
I recently enjoyed an art exhibition at my local library. I saw many wonderful works there, but I noticed that the majority of the pieces I was drawn to were still lives. So I started to think about why that is. Back in the days of the European and American artistic academies, still life was considered the least prestigious of the painting genres, but it's one of my personal favorites.