On the afternoon of March 4th, I was one of the very first people to experience Frick Madison, the Frick Collection's new installation in the Whitney Museum's former home at 945 Madison Avenue. The surprisingly-wonderful combination of historical art and Brutalist structure literally shines a new light on the Frick's beloved artworks.
Next month, The Frick Collection and DelMonico Books/D.A.P. will publish The Sleeve Should Be Illegal & Other Reflections on Art at the Frick, a book of short essays responding to works in the Frick's collection. I was lucky enough to receive an early pdf copy, and I really liked it!
The Hyde Collection is a world-class art collection in the unassuming Adirondack town of Glens Falls, New York. It really was the most delightful little surprise, and I had a wonderful visit.
I recently enjoyed an art exhibition at my local library. I saw many wonderful works there, but I noticed that the majority of the pieces I was drawn to were still lives. So I started to think about why that is. Back in the days of the European and American artistic academies, still life was considered the least prestigious of the painting genres, but it's one of my personal favorites.
Unlike his father, George Vanderbilt wasn't a huge art collector. He collected prints, but beyond that, he generally preferred to spend his money on his home and lands rather than paintings and sculptures. However, he still managed to acquire quite a few notable works of art that are now on display at Biltmore. Here are some of my favorites.
Snow day! Who doesn't love those words? Here in the northeastern United States, we are currently having a nice snow day, which makes it seem like a perfect time to do the second part of the winter paintings series I started around Christmas time. While part one was about winter landscapes, part two is about ice skating paintings!… Continue reading Skating Through Time on a Snow Day