Mary Cassatt wasn't the only American woman to play an important role in Impressionism. These three ladies may be less well-known, but each made her own important contribution to the Impressionist art movement here in America. Learn about them through my articles on DailyArt Magazine.
I was pretty happy for the opportunity to write about some of my favorite Frick Collection masterpieces in honor of the museum's July 2020 collaboration with DailyArt. Find out which ten works I chose.
It has been exactly one year since the horrible fire that almost destroyed the cathedral of Notre-Dame de Paris. My article for DailyArt Magazine aims to be a balanced assessment of Notre-Dame's current status and also my celebration that the cathedral still stands on the first anniversary of its near destruction.
Here is a brief selection of knights in artwork from the 11th to 19th centuries. It is so interested to notice how images of medeival knights have changed over that time period.
I visited Cézanne: The Rock and Quarry Paintings, a delightful new show at the Princeton University Art Museum, on its opening day. The museum is currently closed, but you can read my review for DailyArt Magazine to find out why I liked it so much.
In his Cézanne: A Life, Alex Danchev claims that admirers of Cézanne's work can't really explain why they like it. Since I love a good challenge, I've done my best to prove him wrong. He are my thoughts about Cézanne.
After last week's fire at Notre-Dame de Paris, I spent two days scouring the newspapers for the latest news about the church's fate. What resulted is probably the longest article I've written for DailyArt Magazine. Read it via the link below.
As I'm sure all of you know by now, the Gothic cathedral of Notre-Dame de Paris caught on fire yesterday and suffered extensive damage. Yesterday's events made me appreciate what a true miracle it is that any ancient treasures survive at all. But just because they've gotten this far doesn't mean that they will always be around.
Anne Vallayer-Coster (1744-1818) was an 18th-century French artist who specialized in still life painting. She was so good at it that she became official painter to Marie-Antoinette.
I recently enjoyed an art exhibition at my local library. I saw many wonderful works there, but I noticed that the majority of the pieces I was drawn to were still lives. So I started to think about why that is. Back in the days of the European and American artistic academies, still life was considered the least prestigious of the painting genres, but it's one of my personal favorites.