Meet Carlo Crivelli, painter of sumptuously-dressed Madonnas and saints. His rich and beautiful style is part Gothic and part Renaissance, with more than a hint of Byzantine icon painting.
Next month, The Frick Collection and DelMonico Books/D.A.P. will publish The Sleeve Should Be Illegal & Other Reflections on Art at the Frick, a book of short essays responding to works in the Frick's collection. I was lucky enough to receive an early pdf copy, and I really liked it!
For the past year, Florence, Italy-based conservators Elisabeth Wicks and Marina Vincenti has been restoring two important paintings by Violante Ferroni.Their context and subject matter make them even more relevant today then when the restoration first began. Read my article about the project at DailyArt Magazine.
I recently enjoyed a half-hour video tour of the National Gallery's Artemisia exhibition, narrated by curator Letizia Treves. Here's why I think the video is worth the £8.00 viewing price.
This is my experience viewing TEFAF Online. This art fair has a little bit of everything, as well as the unique twist of only showing one object per gallery.
Everybody is familiar with the Italian Renaissance because of artists like Leonardo da Vinci and artworks like the Sistine Chapel ceiling. This time and place includes some of the greatest household names in art history, as well as countless other artists of great merit. But do you know what the Italian Renaissance was all about and why it was so special? Find out in my brief guide for DailyArt Magazine.
Irving Stone's The Agony and the Ecstasy is a 1961 biographical novel about Michelangelo Buonarroti (1475-1564). I'm glad that people kept pushing me towards this book until I couldn't resist anymore; I enjoyed it greatly and recommend it highly. Here's why.
I was pretty happy for the opportunity to write about some of my favorite Frick Collection masterpieces in honor of the museum's July 2020 collaboration with DailyArt. Find out which ten works I chose.
Here is a brief selection of knights in artwork from the 11th to 19th centuries. It is so interested to notice how images of medeival knights have changed over that time period.
Read my new article for DailyArt Magazine about the exciting announcement of a "David and Goliath" painting recently re-attributed to Artemisia Gentileschi.