Enjoy a few of my favorite Sublime landscape paintings, which are definitely frightening enough for Halloween.
The Metropolitan Museum of Art's acquisition of three works by little-known 16th-century painter Orsola Maddalena Caccia (1596-1676) made headlines last year. Earlier this summer, I got to see the two of them, a pair of large still life paintings, in the recently-rehung Old Masters galleries.
Here are two of my recent articles celebrating my great love of American landscape painting.
On the afternoon of March 4th, I was one of the very first people to experience Frick Madison, the Frick Collection's new installation in the Whitney Museum's former home at 945 Madison Avenue. The surprisingly-wonderful combination of historical art and Brutalist structure literally shines a new light on the Frick's beloved artworks.
I wasn't planning to review Art is a Tyrant: The Unconventional Life of Rosa Bonheur (London: Icon Books, Ltd., 2020), Catherine Hewitt's new biography of French animal painter Rosa Bonheur. But after enjoying it so much, I decided to spread the word.
Meet Carlo Crivelli, painter of sumptuously-dressed Madonnas and saints. His rich and beautiful style is part Gothic and part Renaissance, with more than a hint of Byzantine icon painting.
The Mauritshuis, a Dutch institution famous for its collection of Rembrandts, Vermeers, and other northern Old Masters, has recently become the first museum in the world to offer a gigapixel virtual experience. Read my article for DailyArt Magazine to find out what I though about the viewing.
Next month, The Frick Collection and DelMonico Books/D.A.P. will publish The Sleeve Should Be Illegal & Other Reflections on Art at the Frick, a book of short essays responding to works in the Frick's collection. I was lucky enough to receive an early pdf copy, and I really liked it!
For the past year, Florence, Italy-based conservators Elisabeth Wicks and Marina Vincenti has been restoring two important paintings by Violante Ferroni.Their context and subject matter make them even more relevant today then when the restoration first began. Read my article about the project at DailyArt Magazine.
I recently enjoyed a half-hour video tour of the National Gallery's Artemisia exhibition, narrated by curator Letizia Treves. Here's why I think the video is worth the £8.00 viewing price.