John Singer Sargent, “White Ships”, c. 1908, watercolor, 13 7/8″ x 19 3/8″, Brooklyn Museum of Art. Photo from the-athenaeum.org.
This post contains a selection of eleven watercolors from the exhibition catalog of John Singer Sargent Watercolors. These works constitute what I hope is a reasonably representative sample of the different styles, techniques, color palates, and approaches to the medium that Sargent used at various times and places.
John Singer Sargent, “Boboli”, c. 1906, watercolor over graphite on paper, 18 1/8″ x 11 7/16″, Brooklyn Museum of Art. Photo from the-athenaeum.orgJohn Singer Sargent, “Villa di Marlia, Lucca”, 1910, watercolor and wax resist over graphite on paper, 15 15/16″ x 20 15/16″, Museum of Fine Arts Boston. Photo from the-athenaeum.org.
The examples draw from most, but not all, of the categories of Sargent’s most frequent subject matter enumerated in the book, including Carrera quarry scenes, boats, statuary, Italian gardens, and so forth. They are also among the pieces I feel are most visually effective.
John Singer Sargent, “Bedouins”, 1905-1906, watercolor on paper, 18″ x 12″, Brooklyn Museum of Art. Photo from the-athenaeum.org.John Singer Sargent, “Simplon Pass: The Foreground”, c. 1909-1911, watercolor and wax resist over graphite on paper, 14 1/16″ x 20 1/16″, Museum of Fine Arts Boston. Photo from the-athenaeum.org.
I enjoyed some of Sargent’s watercolors more than others. I found some to be exciting, dynamic, and innovative, while others seemed somewhat insubstantial in color, composition, or line. It is not that I necessarily prefer the more detailed works; in fact, some of the most detailed watercolors were among my least favorites because they often gave little sense of personality or place.
John Singer Sargent, “Brook Among the Rocks”, c. 1906-1908, watercolor over graphite on paper, 14″ x 20 1/16″, Museum of Fine Arts Boston. Photo from the-athenaeum.org.John Singer Sargent, “Carrara: Lizzatori I”, 1911, watercolor and wax resist over graphite on paper, 20 7/8″ x 15 7/8″, Museum of Fine Arts Boston. Photo from the-athenaeum.org.
I found that the most effective works tended to be quite complex in terms of the types of brushstrokes and the juxtaposition of marks, forms, and lines, but they were not particularly heavy in mimetic detail. They also made use of the vibrant colors, varying textures, strong contrasts of both color and brushstrokes, and semi-abstracted but still comprehensible forms. They tended not to include large areas of white paper or thick strokes of uniform color, especially of the lighter tones.
John Singer Sargent, “Mountain Fire”, c. 1906-1907, watercolor on paper, 14 1/16″ x 20″, Brooklyn Museum of Art. Photo from the-athenaeum.org.John Singer Sargent, “Pomegranates”, 1908, watercolor over pencil on paper, 21 3/16″ x 14 7/16″, Brooklyn Museum of Art. Photo from the-athenaeum.org.
John Singer Sargent Watercolors was on view at the Museum of Fine Arts Boston from October 13, 2013 – January 20, 2014, but you can see these gorgeous works any time in the exhibition catalog. Hirshler, Erica E. and Teresa A. Carbone. John Singer Sargent Watercolors. Boston: MFA Publications, 2013.
John Singer Sargent, “Corfu: Lights and Shadows”, 1909, watercolor and wax resist over graphite on paper, 15 7/8″ x 20 7/8″, Museum of Fine Arts Boston. Photo from the-athenaeum.org.
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Alexandra Kiely, aka A Scholarly Skater, is an art historian based in the northeastern United States. She loves wandering down the dark and dusty corners of art history and wholeheartedly believes in visual art's ability to enrich every person's life.
Her favorite periods of art history are 19th-century American painting and medieval European art and architecture. When she not looking at, reading about, writing about, or teaching art, she's probably ice dancing or reading.
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