After four thousand years, William the ancient Egyptian hippopotamus has a new friend!
William is a small blue faience statuette unearthed from an ancient Egyptian tomb. He is one of many such hippo statues found in ancient Egyptian tombs – he has siblings in the Louvre and Brooklyn Museum, among others – but his fame has certainly exceeded the others. They are all made of blue glazed faience (ceramic) with black markings of Nile plants, so they look like they have just emerged from the river covered in vegetation. Many of these figurines were found with their feet broken off, and scholars think this was to protect the tomb occupants from the dangerous power of this massive animal while still benefiting from its presence. In the pictures, you can see how the feet are replacements. He was purchased by the Met in 1917, quickly became a crowd favorite, and was soon adopted as the museum’s unofficial mascot. He now appears on tee shirts, magnets, postcards, and even flash drives available in the Met Store. (I own one of almost everything.)
William’s new friend is another blue ceramic hippoĀ – this oneĀ made by American artist Carl Walters in 1936 and purchasedĀ by the Met last year.Ā Walters’sĀ hippo strongly resembles William, butĀ he’s noĀ mere copy. Larger, more detailed, and withĀ intensified markings, he’s an appreciative, modernĀ homageĀ to an old favorite. To celebrate William’s one hundredth anniversary at the museum, the MetĀ is displayingĀ the twoĀ statuesĀ together in the ancient Egyptian wing. I wonder whatĀ Walters would say if he could see his own hippo displayed beside the one he spentĀ so muchĀ time studying. (Unfortunately, the current ancient Egyptian galleries are not the same ones that Walters would have visited in the 1930s.)
It’s pretty amazing to think that an animal figurine sculpted and buried four millennia agoĀ still feels so immediate andĀ accessible to us today.Ā I think thisĀ speaks greatly to the power art has across time. Of course, our modern view of him as a cute creature is probably very different fromĀ the ancient Egyptians’,Ā since theyĀ were familiar with dangerous wild hippos, and we are generally not. But the important thing is that we still feel connected to this very oldĀ little statue.
Conversation Between Two HipposĀ runsĀ through April 2018, but I don’t think either one of these guys is going far even after that. As my momĀ teased me about my hippo obsession, “clearly, William is a hit with children of all ages”. HeĀ definitely is, and I have no trouble imagining thatĀ his new friendĀ will become an enduring favorite as well.Ā Now, he just needs a name…
Learn everything you could ever want to know about William here on the Met’s website.
A Scholarly Skater 
I hadn’t heard of William before but I love his history š I like to think that the universe preserves some things for us for a reason- William’s reason is to be the most badass museum mascot out there. I also love the 1936 sculpture. Sticking within strict parametres has made this such an interesting piece, and what an interesting pair š
I’m so glad that I introduced you to the awesomeness that is William! He’s my favorite.
And I totally agree with you about the parameters. I took a class on theatre history in college, and I remember the professor saying that a lot of the most creative theatre was made when ideas about theatre were the most restricted. The idea that rules can encourage creativity has always stuck with me.