On the afternoon of March 4th, I was one of the very first people to experience Frick Madison, the Frick Collection's new installation in the Whitney Museum's former home at 945 Madison Avenue. The surprisingly-wonderful combination of historical art and Brutalist structure literally shines a new light on the Frick's beloved artworks.
Beautiful, bold, and vibrant, the treasures from the Sutton Hoo ship burial have fascinated me ever since I first studied them in freshman art history. A new movie called The Dig, based on a novel of the same name, tells a fictionalized tale of their discovery.
Next month, The Frick Collection and DelMonico Books/D.A.P. will publish The Sleeve Should Be Illegal & Other Reflections on Art at the Frick, a book of short essays responding to works in the Frick's collection. I was lucky enough to receive an early pdf copy, and I really liked it!
This is my experience viewing TEFAF Online. This art fair has a little bit of everything, as well as the unique twist of only showing one object per gallery.
I was pretty happy for the opportunity to write about some of my favorite Frick Collection masterpieces in honor of the museum's July 2020 collaboration with DailyArt. Find out which ten works I chose.
Turner's large watercolor The Great Falls of the Reichenbach appeared in a 2012 episode of BBC's television series Sherlock. Learn why this choice was so incredibly fitting.
Here is a brief selection of knights in artwork from the 11th to 19th centuries. It is so interested to notice how images of medeival knights have changed over that time period.
This time last year, I wrote an article for DailyArt Magazine about Thomas Gainsborough's portraits of his daughters. I was really excited when I found out that most of those paintings are currently on display in Gainsborough's Family Album at the Princeton University Art Museum. I rushed over to see them, and I'm so glad that I did!
The Wadsworth Athenaeum, in Hartford, CT, is one of America's oldest art museums. It was founded by Daniel Wadsworth in 1842. However, it has been expanded several times since them. The museum has a little bit of everything, from paintings to porcelain, ancient Egyptian to contemporary European. It's a very pleasant place to spend an afternoon.
I just finished reading Thomas Hoving's King of the Confessors, which is about Hoving's adventures in acquiring what's now called The Cloisters Cross. Thanks to him, this English Romanesque carved ivory cross is one of the highlights of the Met Cloisters. The story is wild, and I couldn't put it down.