Listen to me chat about Notre-Dame de Paris with Jo McLaughlin of Jo's Art History Podcast.
On April 15, 2019, a devastating fire tore through the cathedral of Notre-Dame de Paris, the most beloved and iconic of all Gothic buildings. Largely through the heroic efforts of Paris firefighters, the building was spared the total destruction that at one point seemed inevitable. However, the damage was extensive. Despite early negative forecasts and complications due to the pandemic, the reconstruction of Notre-Dame de Paris is well underway, and the restored building will look as much like the old one as possible. Almost every year since the fire, I have written something about the cathedral's current condition and the status of the restoration. You can find it all in this post.
As I'm sure all of you know by now, the Gothic cathedral of Notre-Dame de Paris caught on fire yesterday and suffered extensive damage. Yesterday's events made me appreciate what a true miracle it is that any ancient treasures survive at all. But just because they've gotten this far doesn't mean that they will always be around.
Charles Méryon (1821-1868) was a very talented French etcher who is best known for his series of prints depicting Paris. (Etching is a form of printmaking.) One of his most famous prints depicts a grotesque on the façade of Notre-Dame de Paris. Apparently, Méryon's image is a big part of how this grotesque became so iconic.
Today's grotesque is a true classic. The gargoyles of Notre Dame cathedral in Paris are neither the oldest nor the most interesting of their kind, but they have certainly become the most famous. The interior and exterior of this church, which was a major milestone in the history of Gothic architecture, were both rather creatively restored by Gothic Revival proponent… Continue reading Gargoyle of the Day: Notre Dame de Paris
This 19th-century grotesque comes from the great Gothic cathedral of Notre-Dame de Paris.