Decorated initial ‘S'(anctissimo) at the beginning of Bede’s life of Cuthbert. (BL. MS. Arundel 222 f.1)
Today, I want to take a look at capital letters in manuscripts. In medieval manuscripts, capital letters, termed “initials”, often served functions similar to line breaks, chapters, or subheadings. They divided up the text, making it easier to read and indicating where important sections began and ended. There are many different ways that initials can be differentiated from each other. They may be in different colored ink than the surrounding text, or they can be written in different styles of lettering. In fact, quite a few modern-day fonts have their origins in the world of manuscripts.
Larger, colored initials set off the beginnings of different sections in this manuscript page. Also note that some lines are completely in red ink. (BL. M#. Harley 447 f. 53v).
They can be larger than the surrounding text as well as larger or smaller than other initials; the size of the letter starting a paragraph or section can be taken to indicate that section’s importance relative to other sections. Initials are often highly-detailed and elaborately-decorated. Some take up most of a page.
In this selection from the famed Lindisfarne Gospels (BL Cotton MS Nero D IV), the elaborate Greek letters chi and rho take up much of the page. The other letters are colorful as well. By Eadfrith (Lindisfarne Gospels, c 700 AD) [Public domain], via Wikimedia Commons.Finally, key sections of a text often commence with large initials framing vignettes relating to the subject matter of the section – these are called “historiated initials”. Scenes from the Old Testament and New Testament, the life of Christ, and saints or other important religious figures were common subjects for historiated initials in sacred texts.
Historiated initial B from a 13th century illuminated illuminated manuscript: Legenda Aurea (Keble MS 49, fol 162r). It depicts Bernard of Clairvaux, founder of the Cistercian order. See page for author [Public domain], via Wikimedia Commons
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Alexandra Kiely, aka A Scholarly Skater, is an art historian based in the northeastern United States. She loves wandering down the dark and dusty corners of art history and wholeheartedly believes in visual art's ability to enrich every person's life.
Her favorite periods of art history are 19th-century American painting and medieval European art and architecture. When she not looking at, reading about, writing about, or teaching art, she's probably ice dancing or reading.
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