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Christ in the House of His Parents (December 1st)

Christ in the House of His Parents
Christ in the House of His Parents
Christ in the House of His Parents (The Carpenter’s Shop) by John Everett Millais, 1849-50. Tate Britain, London. Photo via the-athenaeum.org.

Happy December First and welcome to A Scholarly Skater’s first-ever Advent Calendar! When I was little, I really loved Advent calendars. I so much looked forward to opening the next little door every morning and finding a sticker, figurine, or something else. Between now and Christmas, you can look forward to a different Christmas, holiday, or winter-themed work of art every day.

For the first day of December, I’ve chosen Pre-Raphaelite painter John Everett Millais’s 1850 painting Christ in the House of His Parents. This painting is a seemingly-straightforward, if highly-detailed and a bit sentimental, representation of a working-class family. Little symbolic touches like Mary’s blue dress and the wound on young Christ’s hand point to the work’s religiosity. However, Millais’s un-idealized depiction of Christ and His family as realistic, lower-class laborers was shocking and revolting to mid-nineteenth century British audiences. Christ in the House of His Parents is on permanent display at the Tate in London. Read more about the painting on the Tate’s website.

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Welcome

The mission of A Scholarly Skater Art History is to make historical art and architecture accessible to everyone.
I’m Alexandra, an art historian who believes that looking at art can enrich everyone’s life. Welcome to my website!
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Art history is an inherently subjective field, and my perspective isn’t the only one. I encourage all my readers to seek out differing opinions and read multiple sources to get a broader and more complete view of this complex and fascinating field of study. Read my disclaimers for more information.

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