If you are a fan of historical European art, you’ve probably heard the term “history painting” many times before. It’s obvious that history paintings depict history, but there’s a little more to it than that.
History paintings depict important stories in history, literature, religion, and mythology. They can also feature allegorical themes. History painting was popular in the eighteenth and nineteenth centuries, though its themes have been popular since the Renaissance. They are almost always very large.
During its height, history painting was considered to be the most prestigious form of painting, and all the most ambitious artists wanted to pursue it. History painting was at the very top of the European art academies’ hierarchy of styles. Therefore, it was the most prestigious and lucrative form of painting, and all the most ambitious artists wanted to pursue it. Painters specializing in fields like portrait painting (the second highest on the list) and landscape painting sometimes added elements of history painting to their work in an effort to raise its esteem a bit.
History paintings were always very large in size and grandiose in intent. Stories and characters derived (sometimes very loosely) from the Bible and classical antiquity were popular subjects. These paintings always had a lesson to teach or moral to promote. They featured a high level of mimesis, detail, and symbolism. They sometimes feature complex compositions with many figures.
Originally, history paintings were always set in the deep past, but they eventually came to include more recent events. But even then, they were still depicted always set in the classical past. Everybody wore togas, even eighteenth-century Frenchmen like Jacques-Louis David’s famous The Death of Marat. American artist Benjamin West made waves just before the American Revolution by depicting current military history in the military dress of the time. By the reign of Napoleon Bonaparte, showing modern history in modern settings had become conventional.
Predictably, Neo-Classical artists loved history painting, with all its noble classical associations. However, so did the Romantic artists, who found inspiration in its potential for drama and literary references. In fact, it was one of the few things those two traditions both valued. As you can imagine, history painting wasn’t very popular with avant-garde artists of the later 19th century. It represented everything they rejected – morality, narrative, classicism, and naturalistic detail. It should come as no surprise, therefore, that history painting faded near the end of the 19th century and is rarely ever practiced anymore.
History painting is a genre, not a style. Therefore, there have been many artists working in various traditions who have been successful at it over the centuries. French Neo-Classicist Jacques-Louis David is probably the most celebrated of all history painters, and his works are typically what people immediately think of when they hear the term “history painting”. However, there are many great history paintings that look very different from David’s.
- “Art Term: History Painting“. Tate Britain.
- “History Painting“. Artsy.net.
- “History Painting“. Glossary. London: the National Gallery.
- Clarke, Michael. Oxford Concise Dictionary of Art Terms. Oxford: Oxford University Press, 2010 (2nd ed.) P. 123.
- Galitz, Kathryn Calley. “The Legacy of Jacques Louis David (1748–1825)” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. (October 2004).
- Rosenfeld, Ph.D., Jason. “The Salon and The Royal Academy in the Nineteenth Century.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.(October 2004).
- Dr. Bryan Zygmont, “Benjamin West, The Death of General Wolfe“, in Smarthistory, August 9, 2015, accessed May 1, 2018.